“The first AI portrait in Christie’s” was mostly output from someone else’s open-source code
The print was created by Obvious, a trio of 25-year-old French students whose goal is to “explain and democratize” AI through art. Over the past year, they’ve made a series of portraits depicting members of the fictional Belamy family, amplifying their work through attention-grabbing press releases. But insiders say the code used to generate these prints is mostly the work of another artist and programmer: 19-year-old Robbie Barrat, a recent high school graduate who shared his algorithms online via an open-source license. The members of Obvious don’t deny that they borrowed substantially from Barrat’s code, but until recently, they didn’t publicize that fact either. This has created unease for some members of the AI art community, which is open and collaborative and taking its first steps into mainstream attention.[…] Jason Bailey, a digital art blogger who runs the site Artnome, says that what Obvious has done is far from unusual. “It’s almost weekly in digital art that someone takes some open code and tweaks it and sells it,” he tells The Verge. But the prominence of this auction and the fact that Obvious, not Barrat, has received the attendant prestige and attention does complicate the matter. “There’s a lot of stuff you can do that’s legal, but that makes you sort of a jerk,” adds Bailey. “If I was Robbie, I’d be pretty miffed, and Obvious said they owe him a great deal of credit.” Barrat says he holds no grudges at all and is mostly annoyed that the auction might give outsiders the wrong impression about AI art. “I’m more concerned about the fact that actual artists using AI are being deprived of the spotlight,” he says. “It’s a very bad first impression for the field to have.”
(tags: ai art graphics history open-source ownership copyright obvious robbie-barrat digital)